Title: Ubi caritas Composer: Anonymous (Gregorian chant) Number of voices: 1v Voicing: Unison Genre: Sacred, Chant. Language: Latin Instruments: A cappella or keyboard. First published: Description: Offertory for Maundy Thursday. External websites: Original text and translations. Original text and translations may be found at Ubi caritas. Like with Gjeilo's widely performed, stunning settings for SATB and SSAA of the Ubi Caritas text, the TTBB version brings out yet another color and quality, reflective of the chant style. A great selection for any men's choir, this will be a favorite of the audiences as well.
Ola Gjeilo: Ubi Caritas. Ola Gjeilo was born in , in Sandvika, Norway. From an early age he was exposed to a range of different genres of. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. UBI CARITAS. SATB Chorus a cappella. Music by. Ola Gjeilo celebrating years of timeless choral music. OM WALTON. WALTON. MUSIC walton
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Ubi Caritas (Ubi caritas et amor), de Ola Gjeilo. TTBB (4 voces Coro de hombres); Partitura general. Editor: Walton Music. Himno (sagrado). Ola Gjeilo official website. Enter to browse & buy sheet music and albums, watch videos, listen to tracks, and to find more info about Ola's music.
The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. Is it too pretty?
Leave a Reply Cancel reply. Gjeilo creates a more jubilant atmosphere here, which can be heard through luscious harmony, accelerating tempos, and ever-expressive dynamics.
Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice! – Classicalexburns
From an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and classical choral music. The Best of Brass Alexander Arutunian: Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence.
I felt a lot less creative doubt, and I just began to enjoy composing in a new way.
Ola Gjeilo Sheet Music
Roll Up Roll Up! The opening chant is then presented again, but this time with all SATB in unison.
Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice!
His keen ear enabled him to be experimental in his compositional style from a young age. The text, which is related to the Eucharist, is widely known as the antiphon for the first communion, and the washing of the feet from the Mass for Maundy Thursday. Whilst the alto voice sustains an F tonicthe tenor and bass voices descend in step-wise motion, with the soprano voices ascending in the same manner. Et ex corde diligamus nos sincero.
Timeamus, et amemus Deum vivum. In the last two bars, the bass and soprano land on the tonic and dominant of F minor. What are others expecting from me?
Your email address will not be published. What does my teacher want me to do? So, this is the principle I work with now. Differently, the alto and tenor provide the concluding delayed resolution, with them eventually landing yjeilo the third and dominant of the F minor chord.
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Is my music modern enough? This should be the benchmark of all that we composers are looking for. Is it too cerebral? After deciding that a career as a composer Read more…. Gjeilo began playing piano, and gravitated towards jazz improvisation. What’s on your mind? We get caught up in these things and distracted from the core question — what is it that I really love?
The text that is cairtas the centre of the work can be seen below:. Gjeilo mainly learned music by ear, but did learn how to read music from age 7.
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However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious. A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text.
Ubi Caritas Ola Gjeilo Youtube
Fjeilo nos in unum Christi amor. Exultemus, et in ipso iucundemur. Blogs Choral Ola Gjeilo: I started to write more music that reflected what I listen to. Similar to the opening section, the soprano voice carries the initial melodic line. It is so important in music. It made me happier.
The middle section begins following a neat modulation to A major. Image Source Recommended Recording: His use of improvisation, jazz and classical conventions amalgamate to create some truly stunning pieces of music.
When Gjello was nine, her family moved to Bolivia, which she describes as an integral part of Read more…. The text that is at the centre of the work can be seen below: